LATEST DISCOUNTS & SALES: PROMOTIONS

Close Notification

Your cart does not contain any items

Ocean at the End of the Lane

Neil Gaiman

$22.99

Paperback

In stock
Ready to ship

QTY:

English
Headline
10 November 2015
Dive into a magical novel of memory and the adventure of childhood, from one of the brightest, most brilliant writers of our generation. It began for our narrator forty years ago when the family lodger stole their car and committed suicide in it, stirring up ancient powers best left undisturbed. Dark creatures from beyond the world are on the loose, and it will take everything our narrator has just to stay alive. There is primal horror here, and menace unleashed - within his family and from the forces that have gathered to destroy it. His only defense is three women, on a farm at the end of the lane. The youngest of them claims that her duckpond is an ocean. The oldest can remember the Big Bang.

By:  
Imprint:   Headline
Country of Publication:   United Kingdom
Dimensions:   Height: 197mm,  Width: 146mm,  Spine: 21mm
Weight:   244g
ISBN:   9781472228420
ISBN 10:   1472228421
Pages:   272
Publication Date:  
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  ELT Advanced ,  Primary
Format:   Paperback
Publisher's Status:   Active
Author Website:   http://www.americangods.com

Neil Gaiman is the acclaimed and award-winning author of the novels American Gods, Stardust, Anansi Boys, Neverwhere, Coraline, and The Graveyard Book. Winner of the Hugo, Nebula and Bram Stoker Awards, his work has been adapted for film, television, and radio, including Stardust (2007) and the BAFTA-winning and Oscar-nominated animated feature film Coraline (2009). He has written scripts for 'Doctor Who' and collaborated with Terry Pratchett, and The Sandman is already established as one of the classic graphic novels. As George R. R. Martin says, 'There's no one quite like Neil Gaiman'.

Reviews for Ocean at the End of the Lane

Revealing any more of the plot will only spoil the pleasure of discovery, and there is so much to enjoy, not least the way Gaiman can take the mundane - a button, a duck pond - and build a textured world that evokes the universal, whether it be the unsettling image of a dressing gown hanging from a door or in making real the taste of fresh cream and warm porridge. - Sydney Morning Herald Gaiman is at his fantasy-master best here. - Who Weekly, Australia Whatever the audience, it's one of Gaiman's most accessible works, a story that not just recognises the primal power of mythology but harnesses it to great effect. - Sun Herald, Sydney It's a beautiful and frightening fairy tale; it's also the master fantasist's most emotionally raw, personal novel to date. - Time Australia ...there is also something rather more ambiguous at work in it, a sense the trauma that has so unsettled its narrator's life remains unresolved, and that the many gaps in the narrator's account are symptomatic of a more profound psychic dissonance. In the end it is this quality that lends this strange and deceptively simple novel its power. - Weekend Australian


See Also