An accessible primer for art students or researchers new to phenomenology.
This book introduces the study and application of performance art through phenomenology, inviting readers to explore contemporary performance art and activate their own practices. Using queer phenomenology to unpack the importance of a multiplicity of self/s, the book teaches readers how to be academically rigorous when capturing embodied experiences. Through approachable exercises, definitions of key phenomenological terms, and interviews and insights from some of the best examples of transgressive performance art practice, the work enriches the wider scholarship of theater studies. Situated within contemporary phenomenological scholarship, the book will appeal to radical artists, educators, and practitioner-researchers.
By:
T. J. Bacon
Imprint: Intellect Books
Country of Publication: United Kingdom
Dimensions:
Height: 244mm,
Width: 170mm,
ISBN: 9781789389593
ISBN 10: 1789389593
Pages: 264
Publication Date: 17 May 2024
Audience:
Professional and scholarly
,
Undergraduate
Format: Paperback
Publisher's Status: Active
Acknowledgements Foreword: Enduring Reorientations: Self, Time, and Space in Performance Author’s Note Introduction - Phenomenology - Eidetic Reduction - Self - Dasein Section One: Embodied Experience - Exercise 1 - Flesh - Gestalt - Exercise 2 Identity, Sexuality, and Gender - Exercise 3 Lori Baldwin Anne Bean - Intersubjectivity - Intercorporeality Rosana Cade and Will Dickie - Korper and Leib - World and Being Esther Marveta Neff - Reciprocity Niko Wearden - Mineness - Exercise 4 Cultural Contexts - Fundierung - Exercise 5 Jamal Harewood - Exercise 6 Regina José Galindo Health and Dis/Ability - Exercise 7 Katherine Araniello Kamil Guenatri - Givenness Section Two: The Rapture and Rupture of the Lived Body - Cartesianism - Exercise 8 Rapture - Exercise 9 Rocio Boliver Louis Fleischauer Weeks and Whitford - Befindlichkeit Rupture - Alētheia Hellen Burrough Arianna Ferrari - Exercise 10 Ernst Fischer - Exercise 11 Section Three: The Intersubjectivity and Intercorporeality of Noise and Sonic Arts - Exercise 12 Sound through the Body Sarah Glass Joke Lanz - Punctum - Mother Disorder Sound through Collaboration FK Alexander Clive Henry and Yol - Exercise 13 Section Four: The Perception of Self/s - Exercise 14 Vulnerability - Exercise 15 Helena Goldwater Natalie Ramus Helen Spackman Failure - Exercise 16 Chelsea Coon Selina Bonelli Heather Sincavage - Augenblick - Exercise 17 (Part 1 of 2) - Exercise 17 (Part 2 of 2) Extremis - Exercise 18 tjb Hancock and Kelly Niko Raes - Exercise 19 Postface: The Argument for Queering ‘The Origin of the Work of Art’ - Manifesto for Performance Artist as Artwork Notes Bibliography
Dr T. J. Bacon is an artist-philosopher whose practice, under the name TJB since 2020, extends across performance art and phenomenology. They are the founder and artistic director of Tempting Failure, a biennial of international performance art staged in the UK since 2012. As a non-binary individual, xe advocates for the radical reimagining of traditional phenomenology and the application of a queer phenomenology in their study and making of performance. Their practice began in 2001 and has focused on the perception of the body and Being through a multiplicity of Self/s in performance art since 2009.
