Architecture and the Housing Question

Edited by:   Can Bilsel, Juliana Maxim (University of San Diego, USA)
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
Weight:   500g
ISBN:   9781032181868
ISBN 10:   1032181869
Series:   Routledge Research in Architecture
Pages:   248
Publication Date:   29 January 2024
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active

"Can Bilsel is Professor of Architecture at the University of San Diego where he served as Chair of the Department of Art, Architecture and Art History, and the founding Director of the Architecture Program. He holds a PhD from Princeton University, SMArchS from MIT, and a B.Arch from METU in Ankara, Turkey. Bilsel has written and lectured on modern architecture and archaeology museums, and on the changing political contexts and audiences of architectural conservation. His publications include Antiquity on Display: Regimes of the Authentic in Berlin’s Pergamon Museum (Oxford, 2012), ""Crisis in Conservation: Istanbul’s Gezi Park between Restoration and Resistance"" (2017), ""Our Anatolia: Organicism and the Making of the Humanist Culture in Turkey"" (2007). He is currently working on a series of essays on urban protests, resistance and memorialization. Juliana Maxim, Associate Professor and Chair of the Department of Art, Architecture and Art History at the University of San Diego, is an art and architectural historian whose work focuses on the history of modern aesthetic practices – from photography to urbanism – under the communist, centralized states of the Soviet Bloc. She completed her PhD dissertation in the History, Theory and Criticism of Architecture at MIT in 2006. Maxim was a recipient of the National Council for East European and Eurasian Research Award (2008-2010) and was an American Council for Learned Societies post-doctoral fellow (2012-2013). Her book titled The Socialist Life of Modern Architecture: Bucharest, 1955-1965 (Routledge), explores the remarkably intense and multifaceted architectural activity in postwar Romania and the mechanisms through which architecture was invested with political meaning."