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Disturbances and Dislocations

Understanding Teaching and Learning Experiences in Indigenous Australian Women's Music and Dance...

Elizabeth Mackinlay

$219.95   $175.85

Paperback

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English
Verlag Peter Lang
07 February 2007
One of the biggest debates in Australian Indigenous education today revolves around the many contested and competing ways of knowledge about Indigenous cultures and the means by which Indigenous intellectual traditions and knowledges make the journey into mainstream educational settings. Grounded in Bakhtin's theories of dialogue and voice, this book explores the polyphonic nature of power relations, performance roles and pedagogical texts in the context of teaching and learning Indigenous Australian women's music and dance. In this discussion, the author focuses on her experiences as a lecturer in the Aboriginal and Torres Strait Islander Studies Unit at the University of Queensland and her involvement in this educational setting with students and guest lecturers/performers. The performance classroom is examined as a potential site for disturbing and dislocating dominant modes of representation of Indigenous women's performance through the construction, mediation and negotiation of Indigenous knowledge from and between both non-Indigenous and Indigenous voices. This book contains a CD with video clips illustrating the ways in which an embodied approach to teaching and learning happens in this classroom context.

By:  
Imprint:   Verlag Peter Lang
Country of Publication:   Switzerland
Volume:   932
Dimensions:   Height: 220mm,  Width: 150mm, 
Weight:   440g
ISBN:   9783039108251
ISBN 10:   3039108255
Series:   Europaische Hochschulschriften/European University Studies/Publications Universitaires Europeennes Reihe 11: Padagogik/Series 11: Education/Serie 11: Pedagogie
Pages:   294
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

The Author: Elizabeth Mackinlay (BMus Hons, PhD Adelaide, PhD Qld) is a Senior Lecturer in the Aboriginal and Torres Strait Islander Studies Unit at the University of Queensland where she teaches Indigenous Studies, Anthropology and Ethnomusicology. She completed her PhD in Ethnomusicology in 1998 and a PhD in Education in 2003. She is undertaking research on Indigenous Australian women's performance, performance pedagogy and embodied learning, race and music, and motherhood and music.

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