The Crimean War in the British Imagination

Stefanie Markovits (Yale University, Connecticut)

$161.95

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Cambridge University Press
20 August 2009

Literary studies: c 1800 to c 1900 ; Crimean War

Series: Cambridge Studies in Nineteenth-Century Literature and Culture

The Crimean War (1854–6) was the first to be fought in the era of modern communications, and it had a profound influence on British literary culture, bringing about significant shifts in perceptions of heroism and national identity. In this book, Stefanie Markovits explores how mid-Victorian writers and artists reacted to an unpopular war: one in which home-front reaction was conditioned by an unprecedented barrage of information arriving from the front. This history had formal consequences. How does patriotic poetry translate the blunders of the Crimea into verse? How does the shape of literary heroism adjust to a war that produced not only heroes but a heroine, Florence Nightingale? How does the predominant mode of journalism affect artistic representations of 'the real'? By looking at the journalism, novels, poetry, and visual art produced in response to the war, Stefanie Markovits demonstrates the tremendous cultural force of this relatively short conflict.

By: Stefanie Markovits (Yale University Connecticut)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Volume: 68
Dimensions: Height: 235mm, Width: 160mm, Spine: 20mm
Weight: 620g
ISBN: 9780521112376
ISBN 10: 0521112370
Series: Cambridge Studies in Nineteenth-Century Literature and Culture
Pages: 304
Publication Date: 20 August 2009
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

Preface: the blossom of war; A brief history of the war: Part I. Rushing into Print: Journalism and the Crimean War: 1. 'The Times war'; 2. 'Mr. Russell's 'war''; 3. 'The people's war'; Part II. From Amyas Leigh to Aurora Leigh: Gender and Heroism in the Novels of the Crimean War: 1. Eastward ho?: the Kingsleys, the Crimean War, and the novel; 2. From East and West to North and South; 3. 'Heroic womanhood'; Part III. 'The Song that Nerves a Nation's Heart': The Poetry of The Crimean War: 1. The poetic (battle-) field; 2. Giving voice to the war: Tennyson's Charge and Maud's battle-song; Part IV. Painters of Modern Life: (Re)mediating the Crimean War in the Art of John Leech and John Everett Millais: 1. 'Nothing like knowing the country'; 2. Playing at war; 3. Peace concluded?; Afterword: Elizabeth Thompson, Lady Butler, the roll call, and the afterlife of the Crimean War.

Stefanie Markovits is Assistant Professor of English at Yale University.

Reviews for The Crimean War in the British Imagination

'... [an] imaginative and thought-provoking study ...' Contemporary Review ...Stefanie Markovits provides a valuable account of the predominance of that war in mid-century Victorian cultural forms. Her book brings together discussions of fiction, poetry, and visual arts of the late 1850s to demonstrate not only the topicality of the Crimean conflict, but also its shaping role in discourses not typically associated with politics. Victorian Studies ... [an] imaginative and thought-provoking study ... Contemporary Review