Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
HELEN MARSHALL is the World Fantasy Award-winning author of two short story collections and two poetry chapbooks. Her stories and poetry have appeared in magazines and anthologies including Abyss & Apex, Lady Churchill's Rosebud Wristlet and Tor.com. She obtained a PhD from the Centre for Medieval Studies at the University of Toronto, and then spent two years completing a postdoctoral fellowship at the University of Oxford investigating literature written during the time of the Black Death. Helen has worked as a managing editor for ChiZine Publications, and was recently hired as a permanent Lecturer in Creative Writing and Publishing at Anglia Ruskin University in Cambridge. She grew up in Sarnia, Ontario, and now resides in Cambridge. The Migration is her first novel. www.helen-marshall.com
ADVANCE PRAISE FOR THE MIGRATION Helen Marshall explores the latent wisdom and adaptability of the young in a . . . visionary fashion in her debut novel, The Migration. . . . A moving and genuinely original metaphor for the possibilities and perils of human transformation. --James Grainger, author of The Long Slide, Toronto Star A moving study of love, family bonds, climate change and personal transformation. . . . Spectres of climate change and the plague haunt the novel, but what in lesser hands might have been a gloom-laden read is transformed by the author's quiet optimism. --The Guardian Helen Marshall's debut novel offers a near future where climate change has produced massive flooding and spurred a mysterious sickness in children. . . . Although Marshall seems like she is setting up a zombie story (even Sophie compares the situation to a zombie plague at one point), she avoids that track completely and develops a more original, fantastical turn of events. This isn't science fiction by a long shot, but Marshall offers the sheen of science, enough distorted suggestiveness to keep the story from drifting into fable. --The Winnipeg Press It's a thoughtful novel that places the love between two sisters at the center, and builds around it an intense sci-fi tale of disease and evolution. . . . Marshall skillfully builds a world only a step away from our own, delving into the parallels with previous periods of worldwide disease and chaos, and conjuring an all-too-realistic near future with a light touch. --SFX Magazine In her debut novel, Marshall adapts [fable, dark fantasy, and myth] to a narrative that simultaneously flirts with dystopia and reckons with mortality. . . . Marshall is painting on a large canvas here and her style is unabashedly baroque: the novel is characterized by a high level of drama, intensity, and movement . . . [The Migration] proves ultimately optimistic about the ability of the human species to adapt to its circumstances. --Quill & Quire This beautifully written fictional blend of biology, history, and the human heart is a clear-eyed, clean-limbed parable of change. Marshall's close focus on the nature of emotional and physical metamorphosis becomes a blazing emblem of the transcendent power of hope. --Nicola Griffith, author of the Light of the World trilogy A dark fable that somehow feels both timeless and urgently topical. The Migration is heart-wringing and powerful, but over and above that, it's just vivid and immersive and enthralling throughout. --M.R. Carey, author of The Girl with All the Gifts Intelligent, dark, wildly inventive, The Migration does more than put a new twist on the apocalyptic outbreak novel. It dares to be full of heart and full of difficult, defiant hope. --Paul Tremblay, author of A Head Full of Ghosts and The Cabin at the End of the World PRAISE FOR HELEN MARSHALL: Helen Marshall is a writer who creates real people in real situations, then uses the fantastic to pry her way inside her readers' ribcages and break us wide open. --Neil Gaiman, international bestselling author of The Ocean at the End of the Lane Marshall is a master at bizarre, myth-infused scenarios that play on a reader's subconscious in ways creepy and oddly pleasurable. . . . By introducing elements of the uncanny into relatively everyday scenarios, Marshall creates effects that are both otherworldly and immediate. --National Post Marshall exhibits a bracing refusal to play to expectations, taking left turns where others would travel a straight line. It's one thing to make the strange appear familiar; Marshall's true gift lies in the opposite direction, where what was familiar is warped beyond recognition. . . . [A] marvellously unnerving collection. . . . Gifts for the One Who Comes After, saturated with tales of omens and curses, is a gift for the one who comes looking. --Quill & Quire