Urban Surfaces, Graffiti, and the Right to the City

“Sabina Andron invites us to surface – to come up for air or for light – in the ways that we think about cities. Andron’s beautifully nuanced account shows us that every surface is an archive bearing the history of its making, use, re-use, subversion or adaptation. In flipping our attention away from isolated signs, texts and images, Andron shows how spatial justice in the public city is a matter of surfaces.” Alison Young, The University of Melbourne, Australia “Andron not only provides a unique and revealing account of graffiti and street art, but instigates a whole new way of thinking about architecture and cities. By ‘interviewing’ walls as paint, signs and scripts, she reveals hidden depths of politics, justice, legislation, contestation and transgression. Anyone interested in the experience of the contemporary city should read this provocative and original book.” Iain Borden, Bartlett School of Architecture, University College London, UK “In this innovative study, Sabina Andron makes a persuasive case for the fundamental importance of what walls display to senses of publicness in cities. She beautifully evokes the visual richness and diversity of what vertical surfaces carry, as well as offering a distinctive semiotic methodology for interpreting the entangled images and texts visible on urban walls.” Gillian Rose, University of Oxford, UK “This is the book that most comprehensively engages our urban surfaces, their materials and inscriptions, drawing us as a public in motion nearer to a pluriversal we cannot do without, enabling us to experience cities in entirely new ways, beyond property and category. Surfacing a vital way for urban scholars from all disciplines to think together.” AbdouMaliq Simone, Urban Institute, University of Sheffield, UK