Since the eighteenth century, many if not most ancient and medieval manuscripts or other text-bearing or associated objects have been procured through imperial expropriation or through the antiquities market with little or no evidence of findspot or place of original deposition and with no assurance of legal provenance or authenticity. The consequences of these questionable acquisition practices for scholarship and for our understanding of the past are the focus of much enquiry.
Recent high-profile acquisitions (and subsequent returns) of text-bearing objects by prominent private collectors and museums and the appearance on the market of demonstrably modern forgeries have resulted in increased scrutiny of the intellectual and commercial impacts of academic engagement. Scholarly research can abet the antiquities market directly or indirectly through identification, authentication and legitimation of illegally traded text-bearing objects.
These harmful complications of well-established academic practice raise important questions about how and even if the academy should engage with ancient texts and text-bearing objects of uncertain provenance. Through a wide-ranging set of case studies, variant scholarship focuses on the methodological, theoretical, and ethical dilemmas facing scholars when working with ancient texts in modern contexts.
This book is intended for those interested in the historical practices of research into ancient manuscripts, ethical quandaries in studying unprovenanced textual materials, and the unintended consequences of scholarly interactions with problematic text-bearing objects.
7 colour, 12 b/w illustrations
Edited by:
Neil Brodie,
Morag M. Kersel,
Josephine Munch Rasmussen
Imprint: Sidestone Press
Dimensions:
Height: 253mm,
Width: 172mm,
ISBN: 9789464270457
ISBN 10: 9464270454
Pages: 240
Publication Date: 19 April 2023
Audience:
Professional and scholarly
,
Undergraduate
Format: Paperback
Publisher's Status: Active
Variant scholarship: ancient texts in modern contexts Neil Brodie, Morag M. Kersel, and Josephine Munch Rasmussen Disciplinary pitfalls: how good philology can mask bad provenance Nils H. Korsvoll The provenance of the Dead Sea Scrolls: five examples Årstein Justnes Performing papyrology: cartonnage, discovery and provenance Roberta Mazza The Ilves Collection: a Finnish manuscript collector and the academic facilitators Rick Bonnie Noxious scholarship? The study and publication of First Sealand Dynasty cuneiform tablets Neil Brodie Consuming Palmyra Michael Press Ethical guidelines for publishing ancient texts Patty Gerstenblith The trouble with texts Morag M. Kersel The value of forgeries for historical research Christa Wirth and Josephine M. Rasmussen Someone else’s manuscripts: the ethics of textual scholarship Liv Ingeborg Lied Between representation and the real: the forgeries of Constantine Simonides Rachel Yuen-Collingridge Provenance: genocide. The transfer of Armenian sacred objects to art collections Heghnar Zeitlian Watenpaugh Digitizing manuscripts and the politics of extraction Raha Rafii
Neil Brodie was a Research Associate on the Endangered Archaeology in the Middle East and North Africa project at the University of Oxford. He has published widely on issues concerning the market in cultural objects, with more than fifty papers and book chapters devoted to the subject. Morag M. Kersel is Associate Professor of Anthropology at DePaul University. In addition to participating in archaeological excavations and surveys in Israel, Jordan, and Palestine, she is interested in the relationship between cultural heritage law, archaeological sites and objects, and local interaction. She also works on the public display and interpretation of archaeological artifacts in institutional spaces. She has published a number of articles and is the co-author (with Christina Luke) of U.S. Cultural Diplomacy and Archaeology: Soft Power, Hard Heritage (2013) and co-editor (with M.T. Rutz) of Archaeologies of Text: Archaeology, Technology, and Ethics (2014). Josephine Munch Rasmussen is a researcher at the Norwegian Institute for Cultural Heritage Research NIKU. She is interested in academic practices and research ethics, the history of institutions and collections, and the international trade in forged, stolen, and dubious antiquities and manuscripts. Her work is transdisciplinary, and she has published within fields such as archaeology and heritage, manuscript studies, museum studies, legal studies, and media studies.
