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Innocent Mage

#1 Kingmaker Kingbreaker

Karen Miller

$22.99

Paperback

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English
Voyager
27 July 2005
Enter the kingdom of Lur, where magic is wielded by few and others are imprisoned if they dare try.the Doranen have ruled Lur with magic since they arrived centuries ago after fleeing Morg, the mage who started a war in their homeland. to keep their lands safe the Olken - Lur's original inhabitants - are forbidden to use magic. Any Olken who breaks the law will be executed.

Gar has come to Lur's capital city to make his fortune. He finds himself working in the royal stables and in time becomes a mediator between the Olken and the Doranen. Soon, he will have enough money to return home and set up his own fishing fleet.

But there is unrest among the Olken. It has been prophesied that the Innocent Mage will be born, and the Circle is dedicated to preserving the magic of the Olken until the saviour arrives. the Circle have been watching Gar, and as the city streets are filled with Olken rioters, his life takes a new turn ...

By:  
Imprint:   Voyager
Country of Publication:   Australia
Volume:   Code 1
Dimensions:   Height: 179mm,  Width: 114mm,  Spine: 38mm
Weight:   296g
ISBN:   9780732280796
ISBN 10:   0732280796
Series:   Kingmaker Kingbreaker
Pages:   560
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Reviews for Innocent Mage (#1 Kingmaker Kingbreaker)

A festschrift in honor of the New York City Ballet on its 50th birthday, incorporating reminiscences and testimonial essays with photographs of George Balanchine and his dancers and reproductions of set designs, programs, and other such memorabilia. Making best use of the legion of distinguished artists and performers who have worked with the NYCB, editor Christopher Ramsey has included photography by Richard Avedon and Henri Cartier-Bresson, essays by Susan Sontag, Joan Didion, John Guare, and George Plimpton, and artwork by Marc Chagall, Isamu Noguchi, and Keith Haring. In his foreword, Baryshnikov credits NYCB co-founder Lincoln Kirstein with introducing Russian ballet to America, which Susan Sontag claims thereby made New York the undisputed capital of American dance. Informally arranged, with essays interspersed randomly among the reproductions, this looks more like a nicely bound scrapbook than the usual coffee-table volume, and the intimacy of tone which this creates should appeal to those whose interest in ballet surpasses their familiarity with it. Devotees, of course, will want the book as a matter of course. (Kirkus Reviews)


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